Mamang Dai: A literary Stalwart of NE - NorthEast Today

Mamang Dai: A literary Stalwart of NE - NorthEast Today


Mamang Dai: A literary Stalwart of NE - NorthEast Today

Posted: 29 May 2019 04:34 AM PDT

Himashree Das

Mamang Dai a poet, novelist, and journalist based in Itanagar, Arunachal Pradesh who writes in English and Adi. She was the first woman from her state to be selected for IAS/IFS from her state in 1979. However, she left it to pursue a career in Journalism. While working as a journalist, she was correspondent with The Sentinel, Hindustan Times and The Telegraph. Appointed as a programme officer at World Wide Fund for Nature she worked in the Eastern Himalayas Biodiversity Hotspots programme. She worked as an anchor and conducted interviews in radio, as well as TV-AIR and DDK, Itanagar. As a journalist, she held many powers earlier. Presently she is the President of Arunachal Pradesh Union of Working Journalists.

EARLY LIFE

Born on 23 February 1957 at Pasighat, East Siang district, to Matin Dai and Odi Dai her family belonged to the Adi tribe. She completed her schooling from Pine Mount School, Shillong, Meghalaya and her Bachelor of Arts in English literature from Gauhati University, Assam. Her mother tongue is Adi.

A WALK THROUGH HER MAJOR WORKS

She was hailed as one of the most intensely poetic voices from the North East region for her first publication "River Poems" She has featured in several national and international forums to promote the disappearing traditions of her state in the face of modernity and give voice to its people through the imaginative space of prose and poetry. She was honoured with the state's Verrier Elwin Award for her book Arunachal Pradesh: the Hidden Land in 2003. It documented the culture and traditions of her land.

She published her first novel, The Legends of Pensam, in 2006, which was followed by Stupid Cupid (2008) and The Black Hill (2014). Some of her non-fictional works includes-Arunachal Pradesh: The Hidden Land (2003) and Mountain Harvest: The Food of Arunachal (2004), The Sky Queen and Once upon a Moontime (2003). She wrote romantic verse and stories during the beginning of her writing career.  But then she moved from the theme of the self to focus on a larger aspect of reality. She reflected upon the sense of a closely knitted community living in remotest towns and villages.

She also has been the General Secretary of the Arunachal Pradesh Literary Society, member of the North East Writers' Forum and General Council member of the Sahitya and Sangeet Natak Akademi. She has featured in several national and international forums, and her poems, fiction, and articles have been published in numerous journals and anthologies. In 2011, she was awarded the Padma Shri, in recognition of her contribution to the field of literature and education from the government of India. She is the most celebrated writer from the state of Arunachal Pradesh.

Mamang dai has always worked hard to bring up the traditions of her land in front of the world. Her pieces of works are writing that delights the mind. Many books of her are about history, the tribes, the rituals, and everything. Through her books, one can inherit a lot of knowledge about the tribal culture of the northeast and especially Arunachal Pradesh. The author beautifully portrays the plight of its characters highlighting the pain behind ever situations.

Synopsis of her major works:

'The Black Hill'
Set in the mid-19th century; it highlights the History and imagination. The book throws a great insight on how the story is about a love that knows no boundaries, a trek to the forbidden kingdom. The Black Hill, an overzealous priest, a headstrong girl and a simple tribal guy takes us through the Arunachal Pradesh of mid 19th Century. It acquaints us with the tribes, their lives, the changes that to tried to come in their way and their unity in spite of differences among them. The setting of the story is set just before the 1857 Sepoy Mutiny. It primarily talks about two tribes-the Abor and Mishmee who residing in the different parts of Upper Assam. It narrates a priest who walked across the hills carrying a cross to establish a Church suddenly disappeared, and a Mishmee tribal man, Kajinsha, was executed for his murder. The author weaves a rich combination of the tapestry of characters, landscapes, and incidents. The Black Hill misses out on a certain fluidity and lightness that could have elevated it from a shuffling of history and thinking into something that illuminates or gives light to a dark corner of our past. The author picks out three characters against a certain historical context, but silently avoids the bogies of colonialism and reorganization hovering just beyond the beam, and the personal stories are simply not captivating enough to distract us at all.

' Hambreelmai's Loom'

The book weaves its narrative and illustrations flawlessly. The story's protagonist is Hambreelmai who is the first weaver taught by the goddess Matai. The author's simple yet evocative style makes it a delightful reading piece. It covers the right amount of descriptive text and onomatopoeic refrain. Also, the illustrations are both vibrant and eye-catching, mixing textures and forms interestingly. Distinct colors like "red, black, brown and blue "colors of the traditional Mishmi textiles of Arunachal Pradesh is being highlighted in her palette vividly. The book gives us an authentic feel.

'The Legends of Pensam'

Here the author talks about the tribe called adis and their territory in the mountains of Arunachal Pradesh is called 'Pensam' meaning "the in-between" place. The novel narrates the strange incidents of the individuals. Firstly a mysterious boy who fell from the sky is accepted as a son of the village and grows up to become a respected elder. A young woman wounded in love is healed by a marriage of which she expected nothing. A mother battles against the law for a son she has not seen ever since she lost him as an infant. A remote hamlet gets a road, but the new world that comes with it threatens upheaval. And as villages become small towns and town's approximate cities, the brave and patient few guards the old ways, negotiating change with memory and remembrance.  The Legends of Pensam is an intricate web of stories highlighting the histories of tribes.

EndNote

Mamang Dai has garnered a lot of attention for her books and novels in which half of them is dedicated to her land Arunachal Pradesh. Her books highlight the customs of the tribal groups which gives a unique identity to her books. Her books have got wide recognition all over India and she is one of the topmost writers of Arunachal Pradesh.

Vegas Must-Haves #8: Long-and-Lean Earrings Are Everywhere - INSTORE MAG

Posted: 23 May 2019 11:56 PM PDT

BASELWORLD JUST WASN'T in the cards for me this year. As a freelance writer, trips to attend trade shows like these are almost always paid out of pocket for me unless those shows offers hotel rooms, or in some cases, airfare. So when it comes to spending enormous amounts to be present at a trade show, I get the struggle, and I'm not even an exhibitor. But even with my absence from Baselworld this year, I was still there in social media spirit through posts made by my colleagues and friends, and in some cases, by brands I didn't even realize I was following, including one watch brand that was giving away free watches at the fair.

Let me explain that last line a bit further. A new watch brand whose name I won't mention (and I will go into why shortly) decided it was going to dress a couple of its employees in T-shirts emblazoned with the company logo and have those employees hand out a number of its low-priced watches to attendees of the Baselworld fair. In other words, the brand didn't spend any money to rent a booth or to buy materials for said booth, nor did it pay cleaning fees or booth lighting costs or pay for any of the other things for which every exhibitor pays when exhibiting at a trade show. And while that might seem like smart marketing to some, the reality is, the company piggybacked on the brands that did pay those costs. But this watch brand decided it was going to go one step further by not only taking advantage of Baselworld's popularity, but by also slamming the fair on its public Facebook page, which, frankly, is when my blood began to boil.

"Why are we giving away our watches?" was the line that initially caught my eye. "Baselworld has become a perfect example of everything wrong in the Swiss watch industry: price gouging, forced exclusivity, and being totally out of touch with how the world is changing. We're tired of paying through our nose to be part of a special club. We don't need Rolex or Patek Phillipe to spend $20mm on a fancy booth to make us feel better about ourselves. We're smarter than that. We looked at our sponsorship options and said screw this: we're not lining the pockets of these guys anymore. Instead of spending money on a booth or advertising, we're spending money on you. You're coming to BaselWorld and you want Swiss watches? We got you."

Now, as many of you know or have guessed, I'm someone who has no problem stating my public opinion about a person, a brand or an act, especially when I feel like manipulation, lawbreaking or wrongdoing is taking place. And on this particular day, I decided to reply to this brand's post in my usual delightful way.

"Then you shouldn't be walking around on the show floor to hand out your watches. If you don't want anything to do with Basel, don't have anything to do with it. But don't piggyback on its popularity to build your brand's awareness. People will notice, and their memories aren't short."

My response received far more likes than did the brand's initial post about its watch giveaway, which made me think a little more about what I've witnessed in my over two decades walking trade show floors. These guys weren't doing anything new. They didn't come up with some earth-shattering marketing plan because they played the system. They mooched (which is why I won't name them, because I refuse to give free press to moochers) and then boasted about their mooching, which in the end, got them kicked out of the fair by the Swiss police. But where is the line between mooching and simply cutting costs? What do we as an industry consider to be acceptable, and is that acceptability up for debate?

We all know those brands that set up shop somewhere close to some big trade show, year after year. Even in Basel during Baselworld, there are separate mini-shows that are happening at the same time. For example, there are several independent watch brands that pay a fair amount to take up shop at the Hyperion hotel, and this year, a new event called "Jewels Basel" sent cars to retrieve registered buyers and members of the press in order for them to attend. This, in my opinion, is piggybacking of the acceptable kind. Or rather, maybe because it isn't blatant, or, dare I say, rude, we've grown accustomed to it. I mean, Las Vegas now has a plethora of shows, but some show had to come first, right? And look at all of the shows that happen in Tucson. You can throw a phallic-shaped geode and hit a number of them. But what separates these mini-shows from an act the likes of which the watch-brand-that-shall-not-be-named set out to accomplish is common decency, or as we in the industry refer to it, a code of ethics, because this brand did its dirty deeds on Baselworld's show floor, and for me, that was a no-no.

Registering at a trade show – any trade show – as a guest of that show does not give you the right to do business there unless you're a retailer or a buyer. If you're a melee dealer and you're looking to sell your diamonds to the exhibitors at the show you're attending, pay the money and get a booth. If you're an influencer and your main purpose is to have exhibiting designers or attending retailers pay you to post on social media about them, then you're a business, so pay the money and get a booth. Don't walk the show floor giving out your business card to every brand or store that spent its hard-earned cash getting there, because they're trying to make a living just like you are, and they have expenses just like you do, and as I said above, people's memories aren't short, particularly in this business. We all need to remember that the more we use our code of ethics, the longer this business will be around.

The Incels Getting Extreme Plastic Surgery to Become 'Chads' - New York Magazine

Posted: 28 May 2019 03:00 AM PDT

Illustration: Eddie Guy

Truth4lie was 27, depressed, and living in a student apartment after a year in a psychiatric hospital on suicide watch when a friend showed him Neil Strauss's pickup-artist guidebook, The Game. Together they practiced lines from the book, planning to use them on girls in nightclubs. "Would you like to kiss me? I didn't say you could."

In real life, pickup artistry made Truth4lie anxious. One rule stated he needed to initiate conversation with a woman three seconds after seeing her, which felt like taking an exam. Still, he tried the techniques for a few years, with middling success. Eventually, he stumbled on a forum called Sluthate, where anonymous men gathered to "discredit the effectiveness of pickup art." In one post, a user described coming to the realization that it didn't matter what he said because of the way he looked.

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